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“Murder this, murder listen, hit a suburban whippin’,” Dre spits on “Genocide.” ”Tinted windows, (gun sound) right at your wifey, and I bet you miss her.”

Fellow veterans Ice Cube and Snoop Dogg deliver perhaps their hardest verses in recent memory on “Issues” and “One Shot, One Kill,” respectively.

But Dre’s outstanding production with help from Dem Jointz, DJ Dahi, Focus. and more is what makes “Compton” enthralling. Verses from Kendrick Lamar and newcomer King Mez also shake things up.

“Once upon a time, I shot a (person) on accident. I tried to kill him but I guess I needed more practicing. That’s when I realized banging wasn’t for everybody,” Lamar rhymes on “Deep Water,” which begins with the gut wrenching sounds of a man splashing, and gasping for air.

“Loose Cannons” is sonically bananas, with its shifting sound beds, which transition seamlessly between rolling drums, heavy metal inspired strings and more, while Xzibit, Cold 187um and Sly Pyper take turns on vocals. The song concludes with a chilling skit that ends with a woman being shot then buried.

Perhaps the album’s most shocking line comes by way of Eminem on the otherwise clever “Medicine Man.” In a rapid fire verse about dismissing consequences and murdering rappers on every Dre provided beat, Em spouts off about raping b words who enjoy it a poor way, perhaps, of describing how even his critics and competition relish his bars.

“Straight Outta Compton” topped the box office for the second weekend in a row and crossed $100 million domestically after just nine days in release. and Canada to $111.5 million. If estimates hold, “Straight Outta Compton” also will help to give Universal Pictures, co producer and distributor of the film, its 13th weekend atop the domestic box office, following the success of “Jurassic World” and “Minions.”

Director F. O’Shea Jackson, served as co producers.

This extraordinary film portrays the story of five iconic musicians, Dr. Dre (Corey Hawkins), Ice Cube (O’Shea Jackson, Jr.), Eazy E (Jason Mitchell), DJ Yella (Neil Brown, Jr.) and Mc Ren (Aldis Hodge), and the twist and turns in their careers. However, this quintet had a larger vision than just selling records; they wanted to create an empire. Coming from lower income families in Compton, Calif., in the late 1980s, the group becomes a nation wide sensation. No wonder they wrote lyrics for songs like “F k Tha Police.” It was a hard time to be an African American, especially in the area in which they lived, and the film does an excellent job in portraying this hardship.

This film serves as a great tribute to these artists and their deserved success. The cast is amazing and resemble the original characters perfectly, making this movie even more believable. The touring segment of the film was filmed in such a way that you feel as if you’re there with them.
beats by dre headphones no sound Dre's 'Compton' feels classic